Friday, February 5, 2010

Probabilistic Jukebox: "Bubblegum World" by 1910 Fruitgum Company




Color woodcut titled The Daruma Branch by Helen Hyde, 1910

I think 1910 Fruitgum Company is largely responsible for the creation of bubblegum pop in the mid-1960s. There were plenty of other bands honing the bubblegum sound at the time (e.g. Ohio Express, Music Explosion), but a confluence of events brought the whole package together with 1910 Fruitgum Company's first hit. The group was contacted by the production team of Kasenetz and Katz, the real brains behind the creation of bubblegum pop, with a single they wanted recorded called "Simon Says". The band didn't really like the song, so they retooled it to give it a more insistent "Wooly Bully"-style rhythm and sound. The song was a big hit, and the archetype for bubblegum pop really gelled for the first time: a bouncy upbeat sound, childhood-inspire subject matter, and immediate vocal arrangements with lots of backing vocals.

1910 Fruitgum Company stuck with that formula through several hit singles, as is easy to see from titles like "May I Take a Giant Step (Into Your Heart)", "1, 2, 3 Red Light", :Goody Goody Gumdrops", and "Pop Goes the Weasel". By 1968, the original lineup of 1910 Fruitgum Company was coming apart, but it didn't matter because Kasenetz and Katz owned the band name and could replace the vocalists and musicians at will. The band ceased to exist the minute the producers decided there was no money to be made with the band name.

One of my favorite 1910 Fruitgum Company songs, "Bubblegum World", was actually never a single - it was a track on the band's first LP. The song is perfect late-'60s bubblegum pop, though - the rhythm is exuberant and the layered backing vocals are as sickly sweet as the song's subject matter (no surprise that the band opened for the Beach Boys on tour around this time). The song uses a childhood object as a metaphor for relationship issues, as many 1910 Fruitgum Company songs did, and there's an underlying creepiness in some of the song's content as well - the weird, condescending dynamic of a man using little-kid stuff to describe a relationship issue to a girl, and particularly the way vocalist Mark Gutkowski sings the last line of the verse, "You're going a little insane!" It skeeves me out just a little every time. That little cheek-popping sound effect throughout the song is cool, though, particularly the last one right at the end of the song.

"Bubblegum World" by 1910 Fruitgum Company









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